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This article does not any. Unsourced material may be challenged. ( May 2018) Chithra was introduced to Telugu music through the musical Tamil-Telugu dubbed film Sindhu Bhairavi in 1985, then she recorded her first song in the film 'Pralayam' composed by, where she sang a humming portion in 's song. Then in 1986 she recorded two songs for the film Vijrumbhana (Composed by music director Sathyam). Then she went on recording songs in Telugu from 1986-1988 to Ilayaraja, Chakravarthy, K. Mahadevan & Sathyam, but she had her breakthrough in 1988 through the songs in the films Gharshana (Agni Natchathiram) and Geetanjali, which were commercially successful in the Telugu musical field. She went on to become a regular singer for M.
Keeravani, Raj-Koti and S. Krishna Reddy and recorded all the songs in one film. Mostly all her life-time hits in Telugu are composed by M.
She was a sensation in Telugu musical industry and had the fame of recording all the songs in one film from 1990-1995 along with S.P.Balasubrahmanyam & Mano. From late 80's till 90's she has recorded so many hit female duets with P. Susheela, Vani Jayaram, S. Sailaja and Jikki in many films. Chitra is known for giving soul to lyrics in Telugu states.
Although she belongs to Kerala, she is highly encouraged in Telugu states for her expressive renditions. She has sung a song 'Venuvai Vachanu' from the film Matrudevobhava under M. Keeravani's composition, which has turned into her life-time hit song where she sang with high expression and emotion.
One more song 'Kallaloki Kallu Petti' composed by Koti from the film Nuvve Kavali was a huge chartbuster. It is known that, while recording this song Chitra really ended up crying, she has sung the song with huge emotion giving apt soul to the song.7 She has sung many evergreen songs in Telugu like 'Ninnu Kori' from Gharshana,'Maa Perati Jaamchettu' from Pelli Sandadi, 'Asalem Gurtukuradu' from Antahpuram, 'Kannaule' from Bombay,'Ennalaku Gurtochana' from Varsham, 'Sitamma Vakitlo' from Seethamma Vakitlo Sirimalle Chettu, 'Gopikamma' from Mukunda and many other songs. As of now Chithra has won record number of times i.e.11 Nandi Awards, 10 for film songs & 1 for non-film song. This is a list of Telugu songs recorded by the Indian musician.
The song or Bande Mataram, as the original in Bengali would be pronounced, predates Bankim Chandra Chattopadhyay’s novel Anandamath, by quite a few years. The verses that contain a mix of Bengali and Sanskrit words were probably written around 1876 and later incorporated in the novel that was serialized in a Kolkata publication in 1881-1882. It’s most famous rendition was in 1896 by at a meeting of the Indian National Congress in Kolkata. During the following decade the two words or Vande Mataram also caught on as a political slogan for freedom fighters. It has remained widely popular and at the same time generated its own share of controversy.
Here is a sample of all that has happened over India’s national song over its 140-years plus history: Translation by Sri Aurobindo in 1909 I bow to thee, Mother, richly-watered, richly-fruited, cool with the winds of the south, dark with the crops of the harvests, The Mother! Her nights rejoicing in the glory of the moonlight, her lands clothed beautifully with her trees in flowering bloom, sweet of laughter, sweet of speech, The Mother, giver of boons, giver of bliss! Vande Mataram Pop:.
There have been various versions of Vande Mataram sung in Bollywood songs. The most well known being one sung by Lata Mangeshkar in 1952 movie Anand Math, where the song was set to a new tune by Hemant Kumar. Lata Mangeshkar did her own version of Vande Mataram, using the same tune but adding new stanzas in Hindi in 1998. A year before AR Rehman did his own version, Maa Tujhe Salaam, in 1997. Over the years, there have been many versions, including one by Manna Dey in 1951 and in 2012 Sonu Nigam, Shankar Mahadevan and Sunidhi Chauhan lent their voice to version created by percussionist Bickram Ghosh. Many versions of Bande Mataram:.
Since Bankim himself was no musician, the poem has been scored countless times, using different ragas of Indian classical music by other musicians — with one report suggesting the first effort was even before Anandamath was published. Tagore’s rendition in 1896 was a much slower-paced one than what we are used to hear now.
This version in Tagore’s own voice was released on gramophone record in 1904 and is now available on various online platforms. A composition of Vande Mataram by Pandit VD Paluskar on raag Kafi was favoured by Gandhiji and was often sung by Paluskar himself at Congress meetings. In 1933, at the Kakinada convention, Maulana Ahmed Ali objected to Paluskar singing the song. In 1937, the Congress decided to use only the first two stanzas of the song leaving out the references to Hindu goddesses in the later half of the poem. Pandit Omkarnath Thakur, whose version in raag Kafi was popular, sung it on All India Radio on August 15, 1947. At the time of choosing the National Anthem of the country, composer Krishnarao Phulambrikar from Pune worked on the poem, creating variations on raag Jhinjhoti that can be sung easily by large assemblies and one that can be used as a marching song, to overcome various objections that were raised.
The most heard version that is used by All India Radio at the beginning of its daily programme has been composed in raag Des. While some credit Pandit Ravi Shankar for the tune, there is no definite confirmation about the composer.
A permanent alter ego. Due to the invocation to Hindu goddesses in its later stanzas and its setting within the novel Anandamath, that identified the Muslim ruling class as an enemy, Vande Mataram has faced objections right through India’s history.
Jana Gana Mana, which was finally chosen as India’s national anthem, was written and composed by Tagore himself and shares the status with Vande Mataram which is accorded the status of national song. Jana Gana Mana was also used as the national anthem of the Indian National Army that was led by Subhas Chandra Bose and in Captain Ram Singh Thakuri, the INA had a composer par excellence. The INA also created its own version of Jana Gana Mana in Hindi: Subh Sukh Chain Ki Barkha Barse, to replace Vande Mataram as its anthem for the Provisional Government for Free India in Singapore. The INA also had Qadam Qadam Badhaye Ja, the regimental quick march song written by Vanshidhar Shukla and composed by Ram Singh. This song was banned up to 1947. Reports suggest it has been adopted as a regimental march song of the Indian Army.
In 1933, when first objections to Vande Mataram were aired publicly, poet Allama Iqbal’s Saare Jahan Se Accha, Hindustan Hamara was sung along with it. Iqbal had originally composed this song called Tarana-e-Hind in 1904. Later Iqbal became one of the proponents for the idea of Pakistan.
By 1909, he had adapted the song and re-written it as a Tarana-e-Milli that spoke about a Muslim nation spread across central Asia, Arabia and India.